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The Shield of Achilles

07/26/2020 by Andrew Peterson Leave a Comment

The Shield of Achilles as interpreted by Angelo Monticelli (ca 1820).
The Shield of Achilles by Angelo Monticelli, from Le Costume Ancien ou Moderne, ca. 1820.

She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,
But there on the shining metal
His hands had put instead
An artificial wilderness
And a sky like lead.

A plain without a feature, bare and brown,
No blade of grass, no sign of neighborhood,
Nothing to eat and nowhere to sit down,
Yet, congregated on its blankness, stood
An unintelligible multitude,
A million eyes, a million boots in line,
Without expression, waiting for a sign.

Out of the air a voice without a face
Proved by statistics that some cause was just
In tones as dry and level as the place:
No one was cheered and nothing was discussed;
Column by column in a cloud of dust
They marched away enduring a belief
Whose logic brought them, somewhere else, to grief.

She looked over his shoulder
For ritual pieties,
White flower-garlanded heifers,
Libation and sacrifice,
But there on the shining metal
Where the altar should have been,
She saw by his flickering forge-light
Quite another scene.

Barbed wire enclosed an arbitrary spot
Where bored officials lounged (one cracked a joke)
And sentries sweated for the day was hot:
A crowd of ordinary decent folk
Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.

The mass and majesty of this world, all
That carries weight and always weighs the same
Lay in the hands of others; they were small
And could not hope for help and no help came:
What their foes like to do was done, their shame
Was all the worst could wish; they lost their pride
And died as men before their bodies died.

She looked over his shoulder
For athletes at their games,
Men and women in a dance
Moving their sweet limbs
Quick, quick, to music,
But there on the shining shield
His hands had set no dancing-floor
But a weed-choked field.

A ragged urchin, aimless and alone,
Loitered about that vacancy; a bird
Flew up to safety from his well-aimed stone:
That girls are raped, that two boys knife a third,
Were axioms to him, who’d never heard
Of any world where promises were kept,
Or one could weep because another wept.

The thin-lipped armorer,
Hephaestos, hobbled away,
Thetis of the shining breasts
Cried out in dismay
At what the god had wrought
To please her son, the strong
Iron-hearted man-slaying Achilles
Who would not live long.

―From “The Shield of Achilles” by W. H. Auden, 1952

* * *

In this poem W.H.Auden details the crafting of the Shield of Achilles, as requested by Achilles’ mother Thetis and carried out by Hephaestos, god of blacksmiths.

In the Iliad, Homer originally described a beautiful shield rich with imagery of home and hearth alongside the wonders of the natural world rich with scenes of battle. Auden takes a completely different tone and perspective.

Here Auden details a bleak and desolate landscape, full of jackbooted, faceless thugs, and devoid of life and all that make life worth living and sustainable. Auden’s Shield of Achilles is an indictment of war, the death of ideals, and the personal suffering of the soldiers who carry out cruel and arbitrary orders given by a distant commander far from the field of battle.


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